![]() |
![]() Paolo Garretto's witty conflation of violin and violinist in his image of Fritz Kreisler looked uncannily like the famed musician. It was published along with images of Paderewski, Stravinsky, and Toscanini on a Vanity Fair page called "Olympians of the Musical Sphere," a colorful patchwork quilt of geometric faces, all recognizable to even tone-deaf Americans. But the one-eyed, anthropomorphic violin, drawn on a piece of wood veneer and bobbing weightlessly on its brilliant background, also has surrealist overtones, evoking the powerful effects that music could have on the subconscious. Garretto hints at the strong sense of fusion between musician and instrument that performance can summon.
Fritz Kreisler 1875–1962
BACK to "Experimental Portraiture"
|