Mary Borgman

Mary Borgman’s monumental charcoal portraits begin with an intensive engagement with her subjects. During the initial photo shoot, the extroverted, St. Louis, Missouri–based artist, a professor at Washington University, typically befriends her sitters with easygoing conversation, coffee, and cake. She encourages her subjects to listen to their own music and think about something important to them while facing the camera. Gradually, her sitters gain confidence and pose less self-consciously, revealing their individual sensibilities.

After the shoot, Borgman draws from the selected photograph in a lengthy, solitary process of addition and subtraction; long strokes of rich charcoal are followed by smudging, erasing, rubbing, and reworking. Despite their large scale and frontal pose, Borgman’s images are more compelling than confrontational and convey a sense of psychological depth. Attuned to the subtleties of self-presentation, including posture, clothing, and ornaments, Borgman presents highly individualized portrayals while suggesting the common humanity of her ethnically diverse subjects.

→ Mary Borgman's artist statement

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Merwin (Merf) Shaw
Charcoal on Mylar, 2009
Courtesy of Ann Nathan Gallery, Chicago, Illinois
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Daam Tapiwa Barker
Charcoal on Mylar, 2002
Courtesy of Ann Nathan Gallery, Chicago, Illinois
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Alex Quatrano
Charcoal on Mylar, 2011
Dan Reaume, courtesy of Ann Nathan Gallery, Chicago, Illinois
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Sanop
Charcoal on Mylar, 2011
Courtesy of Ann Nathan Gallery, Chicago, Illinois
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David Uy
Charcoal on Mylar, 2006
Courtesy of Ann Nathan Gallery, Chicago, Illinois
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Tomiwa with Arms Crossed
Charcoal on Mylar, 2008
Courtesy of Ann Nathan Gallery, Chicago, Illinois
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National Portrait Gallery, Smithsonian Institution

November 16, 2012 through August 18, 2013

Arkansas Arts Center, Little Rock

October 25, 2013 through February 9, 2014