Face Value: Portraiture in the Age of Abstraction
April 18, 2014 - January 11, 2015
“Face Value: Portraiture in the Age of Abstraction” featured mid-twentieth century artists who were reinventing portraiture at a moment when most agreed that figuration was dead as a progressive art form. Chuck Close recalled that during this time, “the dumbest, most moribund, out-of-date, and shopworn of possible things you could do was to make a portrait.” And yet, with startling freshness and a touch of defiance, a group of young artists demonstrated the value of exploring the face and figure.
With more than fifty paintings, drawings, prints and sculpture from approximately 1945 to 1975, “Face Value” highlighted the innovations of American portraiture hiding behind the vogue for abstraction. Artists such as Alice Neel, Elaine de Kooning, Robert Rauschenberg, Beauford Delaney, Alex Katz, Romare Bearden, Fairfield Porter, Jamie Wyeth, and Andy Warhol, along with lesser-known artists, pushed the boundaries of portrait traditions. Inspired by the theories and ambitions of the Abstract Expressionists and keenly attuned to the themes of their own turbulent times, they reinterpreted human portrayal, reinventing portraiture for the next generation.
“Face Value: Portraiture in the Age of Abstraction” was made possible by the following generous donors:
- The Abraham and Virginia Weiss Charitable Trust
- Amy and Marc Meadows
- The Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts Inc.
- Donald A. Capoccia and Tommie Pegues
Additional support provided by:
- Patricia Stonesifer and Michael Kinsley
- The Paul M. and Christine G. Wick Fund
- Ella M. Foshay
- Pat and Walter Moore