Edna St. Vincent Millay 1892–1950
Berenice Abbott (1898–1991)
Gelatin silver print, c. 1929

Enlarged image

National Portrait Gallery, Smithsonian Institution
© Berenice Abbott / Commerce Graphics Ltd., Inc.

Edna St. Vincent Millay 1892–1950
Berenice Abbott (1898–1991)
Gelatin silver print, c. 1929

Literarily and temperamentally precocious, Edna St. Vincent Millay exemplified the spirit of the roaring twenties and the emancipation of American women. After a rebellious college career at Vassar, she moved to Greenwich Village, the center of avant-garde culture.

Poetically, Millay was a Romantic, inspired by the ecstatic visions of Keats and Wordsworth; her first notable poem, “Renascence” (1912), spoke of a nature that “breathed my soul back into me.” Her famous quatrain “First Fig” (1920) celebrates sexual abandonment: “My candle burns at both ends; / It will not last the night; / But ah, my foes, and oh, my friends— / It gives a lovely light.”

Millay’s romanticism was at odds with literary modernism, and her reputation has declined. For a while, however, she perfectly represented the age that she did so much to define. She won the Pulitzer Prize in 1923 for The Ballad of the Harp-Weaver.



Was it for this I uttered prayers,
And sobbed and cursed and kicked the stairs,
That now, domestic as a plate,
I should retire at half-past eight?

Edna St. Vincent Millay
“Grown-Up,” 1920


Enlarged image

National Portrait Gallery, Smithsonian Institution
© Berenice Abbott / Commerce Graphics Ltd., Inc.