As a public health precaution due to COVID-19, all Smithsonian museums and the National Zoo are temporarily closed to the public as of Monday, Nov. 23, 2020. We are not announcing a reopening date at this time.
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
Artist
Philippe Halsman, 02 May 1906 - 25 Jun 1979
Sitter
Maria Tallchief, 24 Jan 1925 - 11 Apr 2013
Date
1956
Type
Photograph
Medium
Gelatin silver print on paper
Dimensions
Image: 34.7 x 27.2cm (13 11/16 x 10 11/16")
Sheet: 35.5 x 27.8cm (14 x 10 15/16")
Mat: 71.1 x 55.9cm (28 x 22")
Credit Line
National Portrait Gallery, Smithsonian Institution; gift of Steve Bello in memory of Jane Halsman Bello
Maria Tallchief once said, “A ballerina takes steps given to her and makes them her own. As an American, I believe in great individualism. That’s the way I was brought up.”
Born on an Osage reservation, she studied with renowned dancer Bronislava Nijinksa after her family moved to Los Angeles. In the 1940s, Tallchief became one of America’s leading ballerinas, known for her dazzling technique and passion. She performed with the Ballet Russe de Monte Carlo and then with George Balanchine’s New York City Ballet. She was briefly married to Balanchine, and two of his legendary choreographies, The Firebird and The Nutcracker, were created for her: she embodied the sleek athleticism that was his signature.
Tallchief joined the American Ballet Theatre in 1960 and was Rudolf Nureyev’s partner for his 1962 American television debut. She later founded the Chicago City Ballet.