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Ethel Waters

Ethel Waters
Usage Conditions Apply
Beauford Delaney, 1901 - 1979
Ethel Waters, 31 Oct 1896 - 1 Sep 1977
Pastel on paper
Sheet: 65 x 49.6 cm (25 9/16 x 19 1/2")
Frame: 90.5 × 75 cm (35 5/8 × 29 1/2")
Ethel Waters: Female
Ethel Waters: Literature\Writer
Ethel Waters: Performing Arts\Performer\Actor
Ethel Waters: Performing Arts\Performer\Actor\Theater
Ethel Waters: Performing Arts\Performer\Actor\Movie
Ethel Waters: Performing Arts\Performer\Musician\Singer\Jazz singer
Ethel Waters: Performing Arts\Performer\Musician\Singer\Blues singer
Credit Line
National Portrait Gallery, Smithsonian Institution; purchase partially supported through the generosity of the Abraham and Virginia Weiss Charitable Trust, Amy and Marc Meadows, in honor of Wendy Wick Reaves; and Jewell Robinson
Restrictions & Rights
Usage conditions apply
© Estate of Beauford Delaney by permission of Derek L. Spratley, Esquire, Court Appointed Administrator; Courtesy of Michael Rosenfeld Gallery LLC, New York, NY
Object number
Exhibition Label
Born Chester, Pennsylvania
Beginning as a blues singer on the black vaudeville circuit while still in her teens, Ethel Waters later made her way to Harlem, where she entertained at the Cotton Club and other nightspots. From the mid-1920s to early 1930s she appeared in all-black revues before moving to mainstream musicals with her performance in Irving Berlin’s As Thousands Cheer (1933). Waters became the first African American actress to play a dramatic lead on Broadway with her role in Mamba’s Daughters (1939). She ultimately appeared in more than a dozen Broadway productions and nine films, including Cabin in the Sky (1943) and The Member of the Wedding (1952).
African American artist Beauford Delaney first gained a reputation in New York City in the 1930s with distinctive pastel portraits like this image of Waters, who was a particular favorite. Delaney and his protégé, James Baldwin, would often listen to, and sing along with, her music.
Data Source
National Portrait Gallery