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Signing of the Treaty of Versailles, 1919

Artist
John Christen Johansen, 25 Nov 1876 - 23 Jun 1964
Sitter
John Joseph Pershing, 13 Sep 1860 - 15 Jul 1948
Tasker Howard Bliss, 31 Dec 1853 - 9 Nov 1930
Woodrow Wilson, 28 Dec 1856 - 3 Feb 1924
Edward Mandell House, 26 Jul 1858 - 28 Mar 1938
Henry White, 29 May 1850 - 15 Jul 1927
Robert Lansing, 17 Oct 1864 - 20 Oct 1928
Date
1919
Type
Painting
Medium
Oil on canvas
Dimensions
Sight: 176.5 x 162.5cm (69 1/2 x 64")
Frame: 186.7 x 171.8 x 5.7cm (73 1/2 x 67 5/8 x 2 1/4")
Credit Line
National Portrait Gallery, Smithsonian Institution; transfer from the Smithsonian American Art Museum; gift of an anonymous donor, 1926
Object number
NPG.65.83
Exhibition Label
The American belief in reform and progress at the beginning of the twentieth century received a severe blow with the outbreak of war in Europe in 1914. Many had taken it as an article of faith that nations no longer had to resort to war to solve differences, even though Germany had been perceived as a threat to democratic nations by President Woodrow Wilson and others for years. Wilson clung to the principle of American neutrality, but he was obligated to protect American maritime and commercial interests, which, as the war progressed, were being interfered with by both Germany and Great Britain. Germany's decision to begin unrestricted submarine warfare in February 1917, in retaliation for the British naval blockade, forced Wilson's hand. On April 2, 1917, he proclaimed that the "world must be made safe for democracy," and days later Congress passed a declaration of war against Germany.
After the war ended, Danish-born artist John C. Johansen portrayed the treaty-signing ceremonies at Versailles in 1919. The disillusion that accompanied the outbreak of World War I, supplanted by the enthusiasm and idealism accompanying America's entry into the war, returned in the final outcome. The United States and the Allies won, but it was not, as Wilson had proclaimed, the "war to end all wars." His hope for a lasting peace, protecting the sovereignty of all nations rather than punishing the vanquished, and his vision of a League of Nations did not survive the realities of international politics. Americans turned away from idealism. Prohibition, ratified in the Eighteenth Amendment in 1919, is viewed by many historians as the last gasp of early-twentieth-century reform. Many Americans then turned their attention to the more mundane matters of making money, consuming mass-produced goods, and immersing themselves in popular culture. The Roaring Twenties had begun.
Provenance
Gift of an anonymous donor to NCFA through (Mrs. Elizabeth A. Rogerson, Arden Studios, New York) 1926 ; transferred 1965 to NPG.
Data Source
National Portrait Gallery
See more items in
National Portrait Gallery Collection
Exhibition
20th Century Americans: 1900-1930 (re-installation 2012)
On View
NPG, South Gallery 322