Elaine de Kooning (1918–1989) began her career in New York City at the center of the Abstract Expressionist movement in the 1940s and 1950s. She painted abstractly, like her husband, Willem de Kooning, and other artists of that generation. However, she was best known for her painterly, gestural portraits.
Martha McDonald (b. 1964, Pittsburgh, Pennsylvania) features handcrafted costumes and objects that are activated by the acts of singing, making, and ultimately undoing her handwork as "woman's work." Her performance at the Portrait Gallery is presented in conjunction with the exhibition "Dark Fields of the Republic: Alexander Gardner Photographs, 1859–1872."
Wilmer Wilson IV(b. 1989, Richmond, Virginia) is recognized internationally for his investigations of race. As he slowly covers his body with everyday objects that adhere to his skin, he asks us to think about the historic meanings of black skin in the United States.
This special installation of “One Life” considered two lives that were intertwined during the Civil War. The rivalry between generals Ulysses S. Grant and Robert E. Lee was one of the most memorable in American military history.
Against the background of a post–World War II cultural resurgence in music, poetry, theater, and film—as well as Cold War paranoia and the growing activism regarding civil rights, the Vietnam War, feminism, and other movements—midcentury artists challenged the stereotype of homogenous American life by reassessing the individual.