Dark Fields of the Republic: Alexander Gardner Photographs, 1859-1872

September 18, 2015 - March 13, 2016
Second floor

Alexander Gardner created dramatic and vivid photographs of battlefields, which included images of the recently dead. These shocking Civil War-era images continue to haunt the national imagination. After the war, Gardner went west, creating unforgettable pictures of western landscape and portraits of American Indians.

Also included in "Dark Fields of the Republic" are Gardner's portraits of President Abraham Lincoln and other leading figures, both military and civilian. His best-known work, the museum's "cracked-plate" photograph of Lincoln, will be on view for this exhibition. The sitting on Feb. 5, 1865, took place mere weeks before Lincoln's assassination in April. The glass plate cracked, and Gardner created only one print before throwing the plate away.

The show also documents the course of American expansion as settlers moved westward after the war and includes landscapes and portraits of American Indians. Gardner's landscapes, with their sense of almost limitless horizons, juxtaposed with his detailed portraits of Indian chiefs and tribal delegations, have a haunting specificity and gravity. The exhibition is curated by David C. Ward, Portrait Gallery senior historian, with guest curator Heather Shannon, former photo archivist at the Smithsonian's National Museum of the American Indian, and research assistance from Sarah Campbell.

"Dark Fields of the Republic: Alexander Gardner Photographs, 1859-1872" is funded by members of the exhibition's leadership committee. The co-chairs for this philanthropic committee are gratefully acknowledged: The Abraham and Virginia Weiss Charitable Trust, Amy and Marc Meadows, in honor of Wendy Wick Reaves; The Stoneridge Fund of Amy and Marc Meadows; The Abraham Lincoln Bicentennial Foundation; Peter and Rhondda Grant; Mr. and Mrs. Robert Uhler; and Kate Kelly and George Schweitzer.

"Those with an interest in the Civil War, and Lincoln, will find the show thoroughly absorbing, but it is far more than a Civil War exhibition. Curator David Ward is sketching a larger picture of America in the late 19th century, a country transformed by war, disillusioned yet ambitious, moving seamlessly from internecine strife to genocidal violence against its native population."

Philip Kennicott, The Washington Post
Thu Sep 17, 2015