with
William Adair and Ruth Buentello
The frame tells a story that the painting cannot.
Museum director Kim Sajet takes listeners to stand in front of a portrait of Ulysses S. Grant, the revered commander who led the Union Army to victory in the American Civil War. But it’s actually the frame that steals the show.
According to conservator Bill Adair, “The frame gives us information that the painting simply cannot.” In this case, the frame showcases Grant’s major battlefield triumphs. Another frame, gifted to George Washington by the King of France, tells the story of a political marriage. Then, Chicana artist Ruth Buentello explains why she frames her portraits in soft, worn fabrics that she scavenges from the linen closet of life.

William B. Adair and Ruth Buentello
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